Expanding his realm: Santa Claus has picked Build-A-Bear Workshop as his first manufacturing site beyond the boundaries of the North Pole. Under an arrangement with Build-A-Bear Workshop’s founder and chief executive bear Maxine Clark, Santa and his elves are magically transforming each Build-A-Bear Workshop across the world into Santa's Workshops for the holidays. This was all supposed to happen under cover, but a surveillance camera captured Santa red-suited, red-faced and red-handed at the Saint Louis Galleria mall as he hung out his shingle early on the morning of Nov. 1. (Associated Press)The Smithsonian Institution opened an exhibition Friday featuring iconic commercial art and images from Christmas seasons past — including holiday parade memorabilia and window displays from such department stores as Marshall Field and John Wanamaker's.
"Holiday celebrations with their festive parades and animated window displays have always had a place in American history," said museum Director Brent D. Glass. "This exhibition looks closer at these commercial displays to understand the emotional responses evoked by them and why they hold such treasured memories for many people."
The free exhibition, Holidays on Display, is at the Smithsonian's National Museum of American History and focuses on displays from the 1920s to the 1960s.
The photographs, postcards and illustrations of floats are in part from Macy's Thanksgiving Day Parade and the Tournament of Roses Parade.
The exhibition shows visitors how the floats and retail displays were made by the same companies and shared common construction materials and techniques.
The floats of the early 20th century typically heralded a product, whether coal or toys. But by the 1920s, the themes shifted to consumer-oriented fantasies of home and community life. Then innovations — including parade-float kits — opened access to artistic design, and new materials such as floral sheeting, large helium balloons and mechanizations that elevated floats to their more modern, custom-made configurations. The holiday displays also created emotional bonds between the store and shoppers, according to the museum.
"Even today, 'the storybook style' of the 1920s' holiday display, noted for its village scenes and walk-through attractions, remains popular as the visual announcement of Christmas," the museum said.

Joseph Weber is a congressional reporter, his first job upon coming to Washington in 1992. Mr. Weber joined The Washington Times in 2002 as a metro desk editor and ran the section for several years, working on such stories as the Virginia Tech massacre, the Supreme Court case on the District's handgun law, the D.C. snipers and the 2008 presidential ...

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